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課程名稱 |
聲景與聲音藝術
Soundscape/sound Art: Concepts and Practices |
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開課學期 |
102-1 |
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授課對象 |
文學院 音樂學研究所 |
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授課教師 |
楊建章 |
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課號 |
Music5083 |
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課程識別碼 |
144EU1110 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期三6,7,8(13:20~16:20) |
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上課地點 |
樂學館105 |
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備註 |
本課程以英語授課。與澎葉生合開
限學士班三年級以上
總人數上限：15人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1021Music5083_svs13 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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課程概述 |
This course deals with the concept of SOUNDSCAPE and the practices of SOUND ART. Soundscape is a mental tool to listen to and to understand our environment; it is also an engaging dialogue with our “Umwelt.” Sound art is an array of actions and interventions to enhance and distort our perception of sounds. |
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課程目標 |
This course includes,
- Presentations of researches and artworks dealing with these topics. Video documentation, attentive listening, explanation of the background of the artists and discussion about the aesthetic questions that they raise.
- Practical processes. The students are asked to develop some basic elements of the practices. They'll need to use their creativity and their sensitivity to produce some experiences which will be shared and discussed.
- Assemblage, a collective creation. Through the sessions, we'll try to produce a flow of small-scale creations that would be progressively gathered into a radio broadcast. This is already planned to be played online and in London in December 2013 throughout the ResonanceFM channel, on the Framework radio show.
- Local investigations. Students will be asked to practice listening exercises and to engage into an artistic process in direct connexion with a geographic zone. This zone is for now roughly delimited by the Taipei basin. According to the possibilities and interests of the participants, we may organize some outdoor sessions, in urban and industrial contexts as well as in the hills surrounding the city. |
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課程要求 |
Students are required to:
- participate actively to the discussions and practices
- be able to reserve a small amount of time for personal and collective activities |
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預期每週課後學習時數 |
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Office Hours |
每週二 15:30~16:30 備註： 聯絡方式： chienchang@ntu.edu.tw |
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指定閱讀 |
待補 |
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參考書目 |
Arkette, Sophie. "Sounds Like City." Theory, Culture, Society 21, no. 1, (2004): 159–68.
Augoyard, Jean-Francois. Torgue, Henry. Sonic Experience: A Guide To Everyday Sounds. 1998. McGill-Queen's University Press 2006.
Buck-Morss, Susan. The Dialectics of Seeing: Walter Banjamin and the Arcades Project. Cambridge, Mass.: MIT Press, 1989.
Casey, Edward. "How to Get from Space to Place in a Fairly Short Time: Phenomenological Prelegomena." In Senses of Place, edited by Steven Feld and Keith H. Basso, 13–52. Santa Fe: SAR Press, 1996.
Corbin, Alain. Time, Desire and Horror: Towards a History of the Senses. Cambridge: Polity Press, 1995.
Debord, Guy. The theory of the Derive. Les Levres Nues #9 (Paris, November 1956). Reprinted in Internationale Situationniste #2 (Paris, December 1958).
http://www.arts.ucsb.edu/classes/ART22W06/situtexts.html
David Dunn, Why do Children and Whales Sing ? Earth Ear, USA. 1999
Feld, Steven. Sound and Sentiment : Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd ed. Philadelphia: University of Pennsylvania Press, 1990.
———. "Waterfalls of Song: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea." In Senses of Place, edited by Steven Feld and Keith H. Basso, 91–135. Santa Fe: SAR Press, 1996.
Garrioch, David. "Sounds of the City: The Soundscape of Early Modern European Cities." Urban History 30, no. 1, (2003): 5–25.
Guy, Nancy. "Flowing Down Taiwan's Tamsui River: Towards an Ecomusicology of the Environmental Imagination." Ethnomusicology 53, no. 2, (2008): 218–48.
Krause, Bernie L. The Niche Hypothesis: How Animals Taught Us to Dance and Sing. "Bioacoustics, Habitat Ambience in Ecological Balance," Whole Earth Review, #57, Winter, 1987.
Lopez, Francisco. Schizophonia vs. l’objet sonore: soundscapes and artistic freedom. 1997. http://www.franciscolopez.net
Harvey, David. Spaces of Global Capitalism: Toward a Theory of Uneven Geographical Development. London: Verso, 2006.
Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.
Payer, Peter. "The Age of Noise: Early Reactions in Vienna, 1870–1914." Journal of Urban History 33, no. 5, (2007): 773-93.
Richards, Fiona, ed. The Soundscaples of Australia: Music, Place and Spirituality. Aldershot: Ashgate, 2006.
Russolo, Luigi. The Art Of Noises 1913. UbuClassics 2004 http://www.ubu.com/historical/russolo/index.html
Schafer, R. Murray. 1977. The Tuning of the World. New York: McClleland and Stewart.
Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, Mass.: MIT Press, 2003.
Yablon, Nick. "Echoes of the City: Spacing Sound, Sounding Space 1888–1916." American Literary History (2007). |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
Class participation |
30% |
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2. |
Class assignments |
30% |
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3. |
Final project |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
9/11 |
Introduction |
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第3週 |
9/18 |
Anecdotes |
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第4週 |
9/25 |
Sonograms |
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第5週 |
10/2 |
Practice on sound recording |
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第6週 |
10/9 |
Sound anthropology |
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第7週 |
10/16 |
Audio-documentary |
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第8週 |
10/23 |
Practice : Sound Fiction |
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第9週 |
10/30 |
Improvisation |
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第10週 |
11/6 |
BREAK (no class) |
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第11週 |
11/13 |
An approach to choreography with sound |
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第12週 |
11/20 |
In-site action |
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第13週 |
11/27 |
Technical Workshop 1 |
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第14週 |
12/4 |
Technical Workshop 2 |
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第15週 |
12/11 |
Project Presentations |
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第16週 |
12/18 |
Project Presentations |
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第17週 |
12/25 |
Project Presentations |
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